Human approval on the master
Nothing is released until Zohar has watched, listened and approved it.
CH 01
Concept & words
Writing partners, not ghostwriters.
Language models draft, offer alternatives and test a line against the theme. The idea, the edits and the final words are human.
On YAFIM
ChatGPT for first drafts of the Hebrew lyrics; revised and refined by Zohar.
CH 02
Music & voice
Many takes. Few keepers.
Generative music models compose, arrange and perform around a direction — with Zohar's own recorded spoken lines as input. We generate widely and keep only what carries the song.
On YAFIM
Suno (Pro) for composition, arrangement and generated vocals, using Zohar's recorded spoken input.
CH 03
Picture
Shot by shot, on purpose.
Video models generate scenes one shot at a time. Agents manage prompts, references and continuity, and re-run whatever doesn't hold up on a second look.
On YAFIM
Higgsfield for every shot, orchestrated via Claude Code.
CH 04
Edit & finishing
Cut to the music.
Agents assemble the cut on the beat, transcribe and time subtitles to the vocal, and render web and master versions. Every cut is watched before it's kept.
On YAFIM
Claude Code, ffmpeg and Whisper transcription for subtitle timing.
CH 05
Guardrails
A similarity screen that says what it didn't check.
Before release, a screening agent samples the finished track against music-recognition databases and searches the lyrics for close matches — then reports exactly what was covered and what wasn't. It's a risk screen, not legal clearance, and we say so.
On YAFIM
10 recognition samples covering 120 of 170 seconds: no recording matches. Limited lyric search: no material match.
Not yet checked: full-catalogue matching, composition similarity, recognizable-voice comparison.
Master bus — orchestration
One session, many agents, one decision-maker.
Claude Code orchestrates the session: it routes work between agents and tools, keeps prompts, versions and cut lists in the project, and stops for human review before anything is final.
On YAFIM
Claude Code orchestrating Higgsfield, ffmpeg and Whisper across the YAFIM project.
Technology
Guardrails we work by
Tools are credited
Every release says which tools were used and for what.
Checks are reported as they are
Similarity screening states its coverage and its gaps. We never call a screen a clearance.
Artists keep their identity
Collaborators release under their own names. MusicHuber is the studio, not the artist.